In the late 1950s and 1960s, Francis “Sarge” Lewis filled that role at Clemson. He not only instructed cadets in the basics of military training, he also advised and coached the newly established rifle team as well as serving as chaperone for the band and cheerleaders. The rifle team is pictured with Lewis in the 1967 Taps, and the section on the team refers to it as “one of the newer sports at Clemson.” That year the team was ACC champions, 3rd Army champions, S.C. State Champions and the Western Carolina Conference champions. It noted that the team had placed as high as fifth in the nation in the National Rifle Association competition.
Lewis was such an established part of the Clemson community that, according to a story told by his brother, Joe Lewis, when the army tried to transfer him away from Clemson, President Edwards stepped in and managed to retain Lewis.
Longtime Clemson administrator Nick Lomax ’63 remembers Lewis both from his time as a student and from when he returned to campus as a staff member after two years in the military. According to Lomax, Lewis “had the perfect military posture, and his normal walk appeared to be a military march.” Lomax also commented on how helpful Lewis and his fellow sergeants — Burton, Gilbert and Purcell — were to “young cadets as we prepared for military service.”
When Lewis retired in 1967, he purchased the nearby Esso Station and soon replaced the small grocery section with a pool table, beginning the transformation of a gas station into the “Esso Club,” a gathering place for students and locals.
Lewis died on September 6, 2015. As his family wrote in his obituary, “The first part of his military career was spent growing and maturing into a professional solider; the last half was spent growing and maturing young men and women into productive American citizens.”
Thanks to Allen Wood for providing background on Lewis and his time at Clemson.
Perched on a hill overlooking Bowman Field, Clemson House has been home to faculty, staff, students and the families of more than one president over the past 65 years. Constructed in 1950 by Daniel Construction Company of Greenville, it was known as “Carolina’s smartest hotel.”
When it first opened, Clemson House featured a large dining room on the first floor, a club (non-alcoholic) on the lower level, seven stories of rooms and apartments, and a penthouse with the best view in town.
Originally intended to house faculty, staff and retired faculty, the apartment-style hotel was first pressed into limited service for student housing in the early 1970s.
The barbershop on the first level has weathered six decades of changing hair styles, offering both haircuts and conversation. Clemson House was also home to a radio station and broadcasting facility from the 1950s until the early ’80s.
In 1973, President Robert Edwards recommended changes to transition Clemson House into a dorm, but said that full-time residents could remain as long as they wished. None had the staying power of architecture professor Joe Young, who had been the first full-time resident in 1950. After five decades, Young said his goodbyes in 2000. The penthouse is named for him, as well as “Joe’s Place,” the bar located at the Madren Conference Center.
* Note: Corrected on 5/28/15 to reflect that the radio station housed at Clemson House from the 1950s until the early ’80s was not a student station. Thanks to Van Fair (the “F” in WSBF) for that correction.
On any given day, the center of Clemson’s campus is a unique blend of bustling students rushing to class and relaxed students enjoying the outdoors during their break in the day. The library stands tall and white against the sky, opening its massive glass doors to those who need to work, while just a short distance away, students admire the light gleaming off the water in the reflection pond through the Amphitheater pillars and relax on the concrete, brick and grass steps.
But without courageous students a few decades ago, this image may not have existed.
A gift of the classes of 1915 and 1940 for the stage and seating respectively, the Amphitheater was built in early 1940 and was dedicated to both classes while it hosted its first graduation for the class of 1940. Since then, it has grown to be not only an iconic image and representation of Clemson, but also a beloved host to student organizations, weekly pep rallies, graduations and afternoon naps. In the 1970s, when the students learned of the administration’s plan to renovate and redesign the current Amphitheater and replace it with a low-walled brick structure to better match the other buildings on campus, the student body was appalled.
“There must be more student input into every decision that is made here!” This was the rallying cry of the student organization known as SOAP (Save Our Amphitheater People) that assembled more than 1,200 students and townspeople to protest the proposed Amphitheater renovation in 1977, possibly the largest protest in Clemson University history.
Petitions were signed and students were urged by the student body government to stand up to protect the amphitheater, inspiring several people to speak directly to the president regarding their disapproval and disappointment.
Just a few short weeks later, President Edwards met with his cabinet to discuss the issue and ultimately decided to postpone the renovation indefinitely.
Instead, thanks to the determination of the Clemson student body in fall 1977, the University arranged to have the Amphitheater stage restored to the splendor of the 1940s and the wooden benches replaced with the current tiered concrete seating.
Decades later, the Clemson Amphitheater is still home to not only festivals, theater groups, pep rallies and afternoon naps, but also to the strong Clemson Spirit that protected it so many years ago.
“Put about 10,000 seats behind the YMCA. That’s all you’ll ever need.”
Those were the words of Coach Jess Neely as he left for Rice after the 1939 season. Fortunately, Clemson didn’t follow his advice.
In 1941, the S.C. General Assembly authorized the issuance of $100,000 in bonds to build a stadium. The project was a mid-1900s version of a Creative Inquiry project: Civil engineering students did the preliminary surveying, Professor H.E. “Pop” Glenn and Carl Lee, a 1908 engineering alumnus, provided the design and construction drawings, and players cleared the hill- sides. Coach Frank Howard and returning football players laid the sod in the summer of 1941. Legend has it that Howard put a plug of tobacco into each corner of the stadium as the concrete was poured.
When all was said and done, it seated about 20,000 fans in 26 rows. The University’s trustees named it Memorial Stadium, commemorating all of the alumni, faculty and staff who had died in service to the country.
The first game of the season in 1942 was against Presbyterian College, as it had been since 1930, and Clemson rolled over them 32-13. PC head coach Lonnie MacMillan is credited with providing the stadium its nickname in 1951 after being defeated 53-6.
“It’s like going into Death Valley,” he said.
The name stuck and gained even more traction with the addition of Howard’s Rock in 1966, presented to Coach Frank Howard by an alumnus after a trip to California’s Death Valley. It was at the 1967 game against Wake Forest when rubbing The Rock became a tradition. Legend has it that Coach Howard challenged the team by saying, “If you’re going to give me 110 percent, you can rub that rock. If you’re not, keep your filthy hands off it.”
Another 17,500 seats were added in 1958 (overseen by Professor Glenn), and in 1957, the first Tigerama was held. In 1960, dressing rooms, restrooms and additional concession stands were added along with 6,000 more seats.
Had the original plans for Hartwell Lake gone forward, Memorial Stadium would have been flooded up to the 26th row. Lengthy negotiations and the addition of dikes ensured the stadium’s survival.
More seats have been added over the years, with current capacity at more than 80,000. And just this summer, Yahoo Sports ranked Clemson as having the most exciting entrance in college football, referencing its designation by sportscaster Brent Musburger as “the most exciting 25 seconds in college football.”
Interred in a shady plot along the periphery of Woodland Cemetery — a short punt from Death Valley and a pebble’s throw from Clemson family names like Sikes, Poole and R.C. Edwards — lie the earthly remains of one of the most influential Americans whose name you may have never heard.
Asbury Francis Lever — Frank to family, friends and constituents alike — was born on a family farm near Spring Hill in Lexington County on a winter day in 1875. Within 40 years the South Carolina farm boy would transform agriculture in the United States. All it took was a stroke of a pen and a vision for the future.
As a South Carolina congressman, Frank Lever — a Clemson life trustee — would team with Sen. Hoke Smith of Georgia to author a bill that would carry both their names. The Smith-Lever Act, which became law May 8, 1914, authorized the Cooperative Extension Service, in which federal, state and county governments cooperate to extend research-based science from land-grant universities like Clemson to working people who could apply it.
The concept wasn’t new to Lever. He had seen it at work before in his native state in the tomato demonstration clubs of the Lowcountry and in the trains that took Clemson professors across the state to teach farmers and their families the best practices for growing crops, preserving food and safeguarding the land.
“As early as 1905, Clemson was publishing a weekly fertilizer bulletin and mailing it to 12,000 farmers and agricultural businesses,” Clemson President Jim Clements reminded county agents and Extension specialists at their annual meeting in December. “Special Extension trains took faculty members throughout the state.
“What happened a hundred years ago was transformational for the country,” he said. “The Clemson model became the national model.”
“The county agent is to assume leadership in every movement, whatever it may be, the aim of which is better farming, more education, better living, more happiness and greater citizenship,” he said in floor debate on the bill. “You cannot make the farmer change the methods which have been sufficient to earn a livelihood for himself and his family for many years unless you show him, under his own vine and fig tree as it were, that you have a system better than the system which he himself has been following.”
Extension was established the same year World War I broke out in Europe. It immediately went to work to help farmers increase the production of crops essential to the war effort. In the century since, the revolutionary concept of extending university-based knowledge to working people resulted in Lever’s “revolution” in crop yields. An acre that grew 24 bushels of corn in 1911 will harvest, on average, six times as much today. Extension continues to deliver research-based education in agriculture, natural resources, food safety and nutrition, economic and community development, and 4-H youth development.
Today, as in Frank Lever’s day, agriculture is the state’s largest industry. And thanks to Lever’s legacy, the next century looks just as bright.
Frank Lever photo: Library of Congress, Prints & Photographs Division, photograph by Harris & Ewing, [reproduction number, e.g., LC-USZ62-123456]
The red brick store that sits on 307 College Avenue hasn’t changed much in the 78 years since it was built. It’s one of the few Clemson landmarks that doesn’t get renovated, updated or even painted. The faded black sign on the front reads:
And when you push open the front door, you feel like you’ve wandered back in time to the days when your receipt was written on the brown paper bag that held your purchases.
The store got its start across the street in 1899. A member of the very first class of Clemson cadets, Isaac Leonard Keller left school after two years and opened Keller’s Store, stocking cadet uniform supplies. Legend has it that he could determine sizes and hems of uniforms without even measuring, and so he was given the nickname “Judge.” In 1918, he moved across the street into a wood-frame building, where the store remained until 1936, when the current brick building was erected.
The cadet uniforms might be a thing of the past, but within the walls of Judge Keller’s you can find the uniforms of contemporary Clemson students and fans. Stacks and racks of T-shirts and shorts, sweatshirts and hats cover almost every available surface. For years, they offered overalls, dyed orange, for sale.
The Judge’s grandson and namesake, Isaac Leonard Keller ’70, runs the store today with the help of his son, Ben. But that doesn’t mean you can’t see vestiges of earlier generations. Three hats that belonged to Leonard’s dad still hang on the wall. And if you look through the boxes on the shelves, you might still find a nice pair of white leather shoes from the 50s.
If you were chatting with Jerry Reel before a meeting, it wouldn’t be unusual for him to lean over, his eyes sparkling, and share some odd bit of knowledge with you such as, “Did you know that today is St. Columba’s Day? He’s the patron saint of bookbinders and poets.” He’s a veritable font of information about any number of things, about which he can usually spin a yarn that will captivate you, amuse you and educate you along the way. And when it comes to the history of Clemson University, he can claim the title as resident expert. In 2003, the University recognized that and named him University Historian. In that role, he has written two volumes of history about the institution, the latest of which was published this spring. For decades, students filled his “History 101 – History of Clemson” course in which he indoctrinated generations with stories of the families who founded the University and the leaders who presided over it.
It’s not often that we designate a living person as a landmark or legend. But Jerry Reel just begs to be both. Sometimes referred to as the “Oak Tree of Clemson,” Reel joined the faculty in 1963 while he was still finishing up his Ph.D. in history at Emory University. He was the second professor named an Alumni Master Teacher, and in addition to being a faculty member, served as dean of undergraduate studies and senior vice provost. He directed four inaugurations as well as the Clemson Centennial, witnessing five decades of traditions and transitions. And in 2000, Clemson named him an honorary alumnus.
A native of New Orleans (of which he is justifiably proud), Reel is married to Edmee M ’82, who he will tell you that he met for the first time when she was two years old, running through the backyard, “naked as a jaybird.” The two of them have raised three children (all Clemson alums) and have advised and encouraged 50 years worth of Clemson students.
As you enter Hardin Hall, you’re greeted with an artistic rendering of Clemson’s history. Some very abstract, others more representational, 84 tiles spread across a curved wall that stretches for 60 feet. Installed in 2004 in the then newly renovated home of the history, philosophy and religion departments, the project was sponsored by the Art Partnership Program and funded through the R.C. Edwards Endowment. Artist Kathy Triplett was chosen through a regional competition that spanned six Southern states.
“The title [“Ontogeny Recapitulates Phylogeny”] is inspired by the idea of the single cell and how it progresses to a complex organism,” said Triplett. “I used this idea of progression as a metaphor to represent the development and evolution of the University, from the initial spark of an idea in Thomas Green Clemson’s mind, through its expansion, diversification and growth into a complex and more open institution, which is in many ways like the growth of the individual student.”
The tiles range from the expected — commemorating Thomas Green Clemson and M.B. Hardin and the always present Tiger — to the unexpected — depicting the development of the Phorid Fly and the illusion of parallel lines.
In an interview in 2009, Triplett compared the work to a poem. “At first you grasp it with the heart,” she said.
Perhaps the best description comes from Denise Woodward- Detrich, director of Lee Gallery, who said, “Standing at either end of the installation, you can’t see the other end. Just like the arc of the University’s history.”