Nothing is an imitation. Each building she’s designed as an architect with a team is just as much a piece of her as a quilt she’s created alone for the couch at home.
Her creative pursuits led to a “Best in Show” at the Anderson Arts Center 41st Juried Arts Show this past spring for a quilt named “Beige #1.” It was one of more than 500 entries in the show. She’s also shown pieces at the Mint Museum in Charlotte, N.C., the Ogden Museum in New Orleans and Art Fields in Lake City.
“I think the first thing I made was an apron,” said Tedesco. She began sewing when she was age nine, and as she grew, the instructions from her mother grew from stitches to life lessons on careers.
“My mother was very adamant that I had to major in something I could do so I didn’t have to depend on a man,” said Tedesco. Her love of making things led to a career as an architect, where she now leads at RSCT architecture + design.
But she didn’t leave behind her personal creative time just because she was being artistic at her day job. Instead she wanted to challenge herself to be innovative. At age 29 she took sewing to the next level and began quilting. “I wanted to try something more difficult,” she said. She also took a tailoring class and tackled making a man’s suit.
Even graduate school was taken as a confrontation to defy daily life. “I just came to the conclusion, there’s got to be more to life than this. My mind was cut open and things were poured in. I had such a great time. It was probably one of the biggest challenges of my life, but my desire to learn was different.”
Like many artists or creative types, Tedesco is driven by desire. “I get an idea in my head and it doesn’t leave until I figure out what I’m going to do. I never use a pattern.” Even her use of color isn’t conventional as she doesn’t follow traditional color relationships, but instead gut reaction to the ways a red or an orange can paint a purple or a blue a different hue. “I don’t follow patterns because colors inform me in a way what to do with them.”
In “Beige #1,” the piece wasn’t about color at all, but instead about the relationships of the seams and how they intersect. “I just started mapping lines and free form — it’s a lot less color,” she said.
Tedesco said she tries to be disciplined about her work. Each piece takes about 40 to 80 hours. A bedroom in her Pendleton home serves as a studio.
Unlike her work office, which has clean lines and barely a trace of a paper trail from the day’s work, her studio showcases years of ideas. Quilting books stacked about 4-feet tall stand by the door. Scraps of a current orange, beige and black piece are pinned tall and high on the wall.
“When you make a piece of art, it’s a solitary activity. … That’s why I create art. It allows me to do something alone.”