In With the Old: Peter Galloway ’08

In Galloway’s spare time, he pores over history books, immersing himself in 17th- and 18th-century architecture.

Peter Galloway

“My wife thinks I’m crazy because all I do is read books on old houses,” he laughs. “She’s like, ‘You’re a little obsessed.’”

But there’s a method to the madness.

Peter Galloway is the owner and operator of the Printmaker’s Inn in Savannah, Georgia, a 19th-century Italianate Victorian mansion. The inn is complete with four suites, each outfitted with a bedroom, kitchenette and living space: the Henry Suite, the Button Suite, the Nichols Suite and the High Cotton Suite. The rooms are furnished with period antiques but aren’t without all the luxuries of modern living, including larger bed frames, fresh paint, comfier cushions and mattresses, and up-to-date bathroom fixtures.

The goal, for Galloway, is to give guests the feel of a bed and breakfast without all of the forced togetherness that can come with it. If guests want to mingle with others, they can hang out in the community spaces, like the outdoor seating area. Or, if they want to have a private getaway, everything they need is in their room.

Galloway bought the Printmaker’s Inn after leaving an unfulfilling management job in Florida, relocating his family to the Georgia coast. The renovation process was challenging but fun for him and his wife, and the property also left space for more development since it came with an empty lot next door. When Galloway found a circa 1740 Georgian home in New England, he was sold.

“There’s nothing like it in Savannah,” he says. “What is really incredible about the house is all the original woodwork with wood-paneled walls and huge fireplaces.”

Moving the house from Connecticut to Savannah was ambitious, requiring disassembling, moving and reassembling, but Galloway says it also has its perks, like getting to install new plumbing and electrical as they go.

“What’s cool is we can kind of customize more in this house because it has new construction elements, likethe foundation, roof and bathrooms, but with the original frame and woodwork,” he says. “It will be the most intact 18th-century house in Savannah.”

The disassembled house arrived in Savannah in mid-June, kicking off the reconstruction stage.

When Galloway talks about the project, it’s obvious he’s excited about the new addition to the Printmaker’s Inn. But more than anything, he’s happy they could save it: “The house was going to be taken down or demolished if nobody saved it or moved it, so that’s really cool that we can help preserve it, even if it’s in a different city, different state.”

What Would You Do: Raven Magwood ’12

With a highly successful, multifaceted career, Magwood didn’t always know what she wanted to do. Until her mother asked her a question that changed her life.

Raven Magwood

Raven Magwood co-owns and operates her own gymnastics training facility; has written four books; established a foundation to support underserved kids in Upstate South Carolina; has written and helped produce an independent film; and gives motivational speeches to schools and groups all over the country.

And she’s only 26.

Magwood, a Greenville native, started school and gymnastics early. At age 10, she was competing in the highest level of the sport while getting perfect grades on her report cards, which fast-tracked her through middle school and saw her starting high school at age 12. That same year, she became a national gymnastics champion.

During this time, Magwood was once asked if she’d ever thought writing about her unique experiences. She replied tongue-in-cheek: “No, I’m 12 years old!”

Nevertheless, she did start writing. Her first published book, On to Victory! The Winning Edge, scored her an invitation to be the keynote speaker at a promotional event for Stedman Graham’s new book at the time, Move Without the Ball, in Charlotte, North Carolina. Despite her nerves and nausea, 12-year-old Magwood got a standing ovation.

It’s obvious that writing and speaking came naturally to her at a young age, and yet Magwood remembers always hearing, “‘You’re smart, so you should be a doctor.’ It was just kind of drilled into me, not by my parents, but just by outside people.”

So, when it came time for college, she followed a pre-med track and excelled in her classes — but she wasn’t happy. Her mom noticed, sat her down and asked her, “What would you do if someone would pay you any amount of money to do it?”

Magwood’s answer was almost immediate: “I would speak. I would write. I would inspire people.”

Magwood changed her major and graduated from Clemson at 19 with a degree in communication studies. Since then, she’s continued her filmmaking; gymnastics coaching; writing with her most recent book, The 7 Practices of Prosperous Women; and motivational speaking. One speaking experience in Columbia has stayed with her.

After a day filled with speeches in different schools, Magwood remembers feeling tired and worried that she might not have gotten through to the kids who were on free or reduced lunch at the first school she spoke at, or the kids whose parents were paying $15,000 in tuition at the next. Then she heard the coordinator of the Columbia tour say to one of the school’s principals, “It’s amazing how Raven has spoken to all of these kids with all of these different backgrounds, and they’ve all related to her and gone away inspired.”

In that moment, she knew she had found it — what she would do if someone paid her any amount to do it.

Deadline Doctor: Kristi Vissage Scruggs ’03

The year is 2030. The government has seized complete control of the health care system. And treatment has become dehumanized for the sake of efficiency.

Kristi Scruggs

One troubled reporter  uncovers a dangerous conspiracy beneath it all, embarking on a shocking and equally chilling search for the truth.

Welcome to the world of Kristi Scruggs’s What They Don’t Know. Scruggs successfully published the medical thriller (her first book) in June 2017, which she wrote amidst her full-time job as a hospitalist and now outpatient doctor in Raleigh, N.C. — not to mention the births of her two sons, Henry and Jack.

Despite having her hands full with a growing family and demanding career, Scruggs was inspired by her experience in the medical field, and she made writing a book a top priority. She became especially determined after reading the memoir When Breath Becomes Air by neurosurgeon Paul Kalanithi, an intimate reflection penned in his last years fighting stage IV lung cancer.

“It was the motivation I needed,” Scruggs said. “You know, a lot of people talk about writing a book, but not a lot of people actually write a book and publish it. You’re not promised tomorrow, so I figured I needed to make this happen while I could.”

As a doctor, author, mother and wife, things can seem overwhelming at times for Scruggs. But her understanding of balancing work, family and creativity has a healthy dose of confidence and realistic expectation: “Everywhere I look, someone is doing a better job than me at something. But I try to remind myself that no one’s doing life exactly how I am. No one’s doing ‘me’ better.”

For now, Scruggs is focusing on her outpatient work, often visiting and treating elderly patients in their homes, a far cry from the futuristic and machine-like treatments What They Don’t Know imagines. “We do most of our care in the homes,” she says. “It’s really great because it’s mostly elderly folks who can’t get out — they’re very appreciative, and their families are very appreciative.”

While her personal and professional life is keeping her busy, Scruggs is excited about the future for her writing: “People come to me now asking, ‘Oh, it was such a good book! Do you have a sequel you’re writing?’ So, that’s definitely very validating.”

Vegas Visionary: Paul Steelman ’77

Before Steelman graduated from Clemson with an architecture degree, there was only one city in the country where you could place a legal bet: Las Vegas.

Paul Steelman

Then, in 1976, New Jersey legalized casinos in Atlantic City.

As a native New Jersian, Steelman was attracted to the area. He’d had experience working under his father, also an architect, in Longport, New Jersey, doing smaller projects. Schools,
funeral parlors, summer homes. But he was ready for something bigger.

“I was offered a position as [Atlantic City] planner, and I took the job mainly because I wanted to see how this rebirth of the city was going to work,” Steelman says. “I was the architect of the city even though I wasn’t [working as] an architect at the time.”

Growing Atlantic City into a thriving resort destination meant working with some of the day’s most famous architects. Through them, Steelman got a glimpse of his dream career. And then he got a job offer from high-profile architect Joel Bergman. He worked for nine years on Vegas design projects like the Golden Nugget and the Mirage before opening his own architecture firm, Steelman Partners, in 1987.

Now, Steelman Partners has designed more than 4,000 casino and integrated resorts worldwide, including Galaxy Macau Phase II, Sands Macao and Solaire Resort & Casino. With so much
experience in the business, Steelman understands that a casino’s design must walk the fine line between brand culture and achieving profitability, versatility and ease.

“We have a lot of experience with what people like and are comfortable with, and we start from that experience.” Steelman explains. “We want to follow a set of rules.”

These rules consist of certain design elements that he doesn’t often stray from, things like fast elevators; soothing colors; easy access to exits, cashiers and restrooms; and ample lighting. The goal is to create a space that’s not only exciting for guests but also comfortable. Too much experimentation with core revenue features can lead to failure, Steelman
warns. But that doesn’t mean there isn’t room for creativity: “The direction of the columns of the garage or the color of the carpet or where you place a mirror — that’s the reason I became so interested in this [career]. It’s fun!”

Looking forward, Steelman isn’t even close to tapping out. “I’m not sure I ever want a break,” he says.

“Monday is always my favorite day of the week.”

My Clemson: J.D. Tuminski ’07

Tuminski, vice president of digital at Def Jam Recordings/Universal Music Group, is making waves in the music industry and has been since his college days at Clemson.

Q| Before you transferred to Clemson, you were going to college in Pennsylvania. What made you decide on Clemson?

A| I was really looking for something purposefully out of my comfort zone and somewhere that excelled academically. I actually made a conscious decision to look toward the South, and Clemson was the place I fell in love with. I knew almost immediately when I stepped on campus.

Q| Did you always want to go into the music industry, or was it something you kind of fell into?

A| I always wanted to get into entertainment somehow, but music came about pretty organically after I graduated. My senior year at Clemson, I started developing a website, just on a whim. I just really immersed myself in the music scene — not necessarily what was playing on the radio — and the website was a place I could share the artists I was finding with my audience. I wound up interviewing some pretty significant people. I’ll regret this, but there was a time that I was supposed to interview Drake; I couldn’t make the interview because I had something for class. It’s funny to think about that now.

Q| After an MTV internship and positions at HBO and Columbia Records, you’re now the vice presidents of digital at Def Jam Recordings/UMG. Can you give us an overview of your responsibilities?

A| Digital encompasses a lot, everything from marketing tactics to social media to website creation to advertising for the label as a brand and all the artists on the roster. Basically, digital has a hand in everything, and I’m overseeing all of our efforts there. It also includes working with external partners like YouTube and Instagram to come up with original content that complements our projects.

Q| What’s it like working with high-profile artists? How do you respect their vision and also do your job?

A| They are the talent, and they are the ones who ultimately make this a business. But I start with treating celebrities in the industry as people. I like to connect with them on a personal level. After I establish that, then I get into the music, sharing what I know about different platforms and different tactics that will really amplify the music and the message that they’re trying to bring across when they’re putting their art out into the world.

Q| Is there a misconception about working in the music industry that you’d like to clear up?

A| I think people who are maybe uninformed just think it’s partying with the celebrities and artists all day, and it’s just not that. There are elements of that and we do get access to certain things, but there’s a lot of hard work going down from all departments across the board. And it never stops. It’s a 24-hour business, and it’s a global business as well. As it turns to night in the U.S., you’re thinking about the other side of the world and what’s going on over there.

Q| Favorite Clemson tradition?

A| My personal favorite tradition is getting into town on a Thursday before a football weekend and spending those three or four days with my best friends from Clemson. We’ll go out on Thursday, go for a boating day on Friday, tailgate all day Saturday and wrap up on Sunday with a nice lunch and head back to wherever we live. It’s just fun because we live in different places around the country, and we all get together for these weekends every fall. It’s been something we’ve consistently done for 10 years now.

My Clemson: Bear Walker ’11

Bear WalkerGraphic communications major-turned-custom skateboard maker, Bear Walker reveals his creative process.


A: I got my degree from Clemson in graphic communications, and for one of my projects, I actually chose to design a skateboard. After that, I didn’t touch anything skateboard-related for a few years. I became a prop master at a special rims company and then a fabricator at a custom sign shop. When I was carving out a custom sign one day, I thought it would make a pretty cool grip for a skateboard, so I tried it and made one. People started asking me where I got it from, and I started taking orders. It just grew from there.


A: My favorite stuff at Clemson was the printing projects, and that meant you were going to be in lab for, like, your entire life. But it was the fun part. That kind of translated to my career. If you’re going to do something more fun as an occupation, it’s going to be a lot more work because most of the time, passion projects aren’t necessities. Like if someone’s breaker goes out, they have to call an electrician to get a new breaker, but I have to convince someone to buy a skateboard.

Beacon by Bear Walker


A: If I’m doing stock orders, I can make six. If I’m working on a custom, it’ll probably just be that one.


A: I do get burnt out every once in a while, but then I’ll do a custom for a client, and they’ll request something I’ve never done before. I’ll try it out and figure out new ways to carve, which brings so many new possibilities for other projects. That’s what keeps me inspired. I know the more I do this, the crazier and better stuff I can come up with.


A: Be susceptible to change. If you have a really good idea of what you want to do, that’s awesome — kudos to you. But if you’re not 100 percent set in your career path, don’t be afraid to take opportunities you didn’t quite have in mind to begin with. Sometimes, you get into a job or get offered an opportunity, and it completely changes your mindset for where you want your life to go.


A: Power slide.